Wednesday, August 19, 2015
This one's for real
I'm sorry everyone. I have to end my blog here. I know this is abrupt, but I have to focus on my outside life right now and I need time away from this sort of thing. Maybe someday I'll resurrect something along the lines of this, but for now, I'm signing off.
Tuesday, August 18, 2015
CanTunes Tuesday: "Back to Back" - Drake
Ahem...
DRAKE SLAAAAAAYYYYYYED.
Oh man, it's really too bad for Meek Mill at this point. He really doesn't have any sort of leg to stand on. Whatever credibility Drake didn't have, he just gained it all back.
And... that's all I can say, really. Hail Drizzy. Seeya tomorrow.
DRAKE SLAAAAAAYYYYYYED.
Oh man, it's really too bad for Meek Mill at this point. He really doesn't have any sort of leg to stand on. Whatever credibility Drake didn't have, he just gained it all back.
And... that's all I can say, really. Hail Drizzy. Seeya tomorrow.
Sunday, August 16, 2015
"Drag Me Down" - One Direction
One Direction are back!... One Direction never really left.
However, as I type this, One Direction are currently undergoing their biggest loss as a music group, as longtime and beloved member Zayn Malik has left the band. I for one will truly miss Zayn, and all the contributions he has made to the irreplaceable quintet that were One Direction.
...
Zayn's the blond one, right? No? Well, I tried.
Anyway, as far as I can tell, it seems that the members of 1D - which you would only call them if you were a square, which I am - are doing just fine without their departed member, as evidenced by their most recent outing, "Drag Me Down", which they most recently performed earlier this month on Good Morning America. Hey, it's as good a source as any.
As far as I can tell, 1D are experimenting with a new, more mature sound in 2015. I mean, it's not like they've gone full artsy or anything - they still have a member named Harry Styles, you understand - but it still seems like a step in the right direction.
Gone are the directionless (haha) days of being a musical group you could easily confuse with something you'd see on RadioDisney. One Direction have slotted themselves into the Maroon 5 position of still being a bunch of pretty boys, but somehow more mature. And with Adam Levine constantly flaunting his mid-life crisis and becoming increasingly irrelevant in the process, the door is open for acts like these to take over.
And as far as I can tell... they're doing a pretty good job.
One Direction have been going for a more mature sound ever since their Midnight Memories album in 2013, but as far as I'm concerned, this is where they're really starting to shine. I mean, they've got a nice Police-like riff going on there, some nice harmonies - it's coming together rather nicely for them, I'd say.
While One Direction have been involved with some questionable songs, I think that deep down, they are all really good guys - unlike certain other teen idols - and I'm happy to see them adjust well into their later career. Hopefully when the eventual breakup rolls around, they'll all have steady acoustic guitar-driven careers at the pinnacle of their maturity. And Harry Styles will be our next Justin Timberlake.
...what? It could happen! Maybe... nah.
However, as I type this, One Direction are currently undergoing their biggest loss as a music group, as longtime and beloved member Zayn Malik has left the band. I for one will truly miss Zayn, and all the contributions he has made to the irreplaceable quintet that were One Direction.
...
Zayn's the blond one, right? No? Well, I tried.
Anyway, as far as I can tell, it seems that the members of 1D - which you would only call them if you were a square, which I am - are doing just fine without their departed member, as evidenced by their most recent outing, "Drag Me Down", which they most recently performed earlier this month on Good Morning America. Hey, it's as good a source as any.
As far as I can tell, 1D are experimenting with a new, more mature sound in 2015. I mean, it's not like they've gone full artsy or anything - they still have a member named Harry Styles, you understand - but it still seems like a step in the right direction.
Gone are the directionless (haha) days of being a musical group you could easily confuse with something you'd see on RadioDisney. One Direction have slotted themselves into the Maroon 5 position of still being a bunch of pretty boys, but somehow more mature. And with Adam Levine constantly flaunting his mid-life crisis and becoming increasingly irrelevant in the process, the door is open for acts like these to take over.
And as far as I can tell... they're doing a pretty good job.
One Direction have been going for a more mature sound ever since their Midnight Memories album in 2013, but as far as I'm concerned, this is where they're really starting to shine. I mean, they've got a nice Police-like riff going on there, some nice harmonies - it's coming together rather nicely for them, I'd say.
While One Direction have been involved with some questionable songs, I think that deep down, they are all really good guys - unlike certain other teen idols - and I'm happy to see them adjust well into their later career. Hopefully when the eventual breakup rolls around, they'll all have steady acoustic guitar-driven careers at the pinnacle of their maturity. And Harry Styles will be our next Justin Timberlake.
...what? It could happen! Maybe... nah.
Friday, August 14, 2015
Facemelt Friday: "Brother" - NEEDTOBREATHE ft. Gavin DeGraw
So, let me see if I've got this right. We go from a band that doesn't capitalize any of its letters last week to a band that capitalizes ALL ITS LETTERS this week. Is this an inside joke I somehow don't know about? Well, regardless, I guess it's time for a little battle between the uppercase and the lowercase!
I'm gonna be honest here. I don't think it's even a contest. This song blows twenty one pilots' offering out of the water.
It took a while, but I'm glad that on Friday I can finally discuss a rock tune that has actual raw emotion put behind it. This just sounds like a couple of guys pouring their hearts out, and I love when music can come from a real place.
Now. NEEDTOBREATHE are a Christian group...
Oh, come on! Come on! Don't start filing out all at once!
Ahem. Chirstian music is not inherently bad. If you want to sing about God and spirituality and your beliefs, I think that's great! What matters is the emotion you put into your performance. and as far as I can tell, NEEDTOBREATHE's music is a force for good.
They sound like they really put all their soul into their performance and their beliefs. It's awesome to hear the heart in these performances. And "Brother"'s got a great message! Two people working together, protecting each other. It's a really good message to hear.
I'm glad these guys are around to give Christian music a bit less of a bad rap. If you don't like listening to their music because your beliefs conflict with theirs, I guess that's fine. But don't try and link 'em in with bores like Amy Grant, because these guys have soul.
I'm gonna be honest here. I don't think it's even a contest. This song blows twenty one pilots' offering out of the water.
It took a while, but I'm glad that on Friday I can finally discuss a rock tune that has actual raw emotion put behind it. This just sounds like a couple of guys pouring their hearts out, and I love when music can come from a real place.
Now. NEEDTOBREATHE are a Christian group...
Oh, come on! Come on! Don't start filing out all at once!
Ahem. Chirstian music is not inherently bad. If you want to sing about God and spirituality and your beliefs, I think that's great! What matters is the emotion you put into your performance. and as far as I can tell, NEEDTOBREATHE's music is a force for good.
They sound like they really put all their soul into their performance and their beliefs. It's awesome to hear the heart in these performances. And "Brother"'s got a great message! Two people working together, protecting each other. It's a really good message to hear.
I'm glad these guys are around to give Christian music a bit less of a bad rap. If you don't like listening to their music because your beliefs conflict with theirs, I guess that's fine. But don't try and link 'em in with bores like Amy Grant, because these guys have soul.
Wednesday, August 12, 2015
Watch-for-it Wednesday: "Drama" - Roy Wood$ ft. Drake
This song is honestly, truly, seriously boring for a song called "Drama".
I've never heard a song before where I can attach less commentary to it than I can here. I honestly don't even know what to say. It's ridiculously dull.
I wish there was more. I really do. But I just don't think the song offers anything for me to grasp on. It's the biggest wasteland of commentary that I have to offer you. And... I'm sorry.
I can't make fun of anything or point out anything, it's all just... bleh. I'm at a loss. Hell, this has Drake on it! Surely there's gotta be something to say!
Okay, I think I can at least understand why I can't find anything to say about this song: I don't know what the hell this guy is saying.
He's so mumbly and incoherent that I didn't even know what this song was about before looking up the lyrics. And honestly... if I can't make out what you're saying, then staring at the lyrics won't do much for me.
I really don't know what to think. Maybe this guy's got better music up his sleeve, but as for this song, it's just a complete waste for me. I'm sorry guys.
I've never heard a song before where I can attach less commentary to it than I can here. I honestly don't even know what to say. It's ridiculously dull.
I wish there was more. I really do. But I just don't think the song offers anything for me to grasp on. It's the biggest wasteland of commentary that I have to offer you. And... I'm sorry.
I can't make fun of anything or point out anything, it's all just... bleh. I'm at a loss. Hell, this has Drake on it! Surely there's gotta be something to say!
Okay, I think I can at least understand why I can't find anything to say about this song: I don't know what the hell this guy is saying.
He's so mumbly and incoherent that I didn't even know what this song was about before looking up the lyrics. And honestly... if I can't make out what you're saying, then staring at the lyrics won't do much for me.
I really don't know what to think. Maybe this guy's got better music up his sleeve, but as for this song, it's just a complete waste for me. I'm sorry guys.
Tuesday, August 11, 2015
CanTunes Tuesday: "Bring Down the House" - Dean Brody
Country music appears to not be as popular as it once was, but when country songs do get, big, I'm still obliged to acknowledge them. Even if those country songs are Canadian.
This is Dean Brody. If you know Canadian country music, you probably know him better than I do. This is actually the first song I've heard from him. What do I think of it? Well... it's decent, but I don't know how faithful it is to the country genre.
This seems to be one of those country songs that can just hang onto the title of "country music" because of a banjo twang here and there, but ultimately feels a little hollow because it lacks the full typical country instrumentation. Almost feels like it's a song that's embarrassed to be a country song.
But what does save it is the personality that Brody puts into his song. It gives back that country credibility that the song needs, and sounds pretty good in its own right. Brody, like many Canadian country artists, has some lyrical quirks that you don't typically find in country music.
And I say "Hey, I, want you girl"
You make my heart, heart flutter like a tilt-a-whirl
I don't know about the rest of you, but I certainly don't hear many references to tilt-a-whirls in country music. Which actually kind of surprises me. You'd think that the country and carny lives would be somewhat intertwined.
But anyway, Dean Brody gets the job done here and I do like this song. It's a good entry into the genre, and maybe it'll help spark some more Canadian country music.
This is Dean Brody. If you know Canadian country music, you probably know him better than I do. This is actually the first song I've heard from him. What do I think of it? Well... it's decent, but I don't know how faithful it is to the country genre.
This seems to be one of those country songs that can just hang onto the title of "country music" because of a banjo twang here and there, but ultimately feels a little hollow because it lacks the full typical country instrumentation. Almost feels like it's a song that's embarrassed to be a country song.
But what does save it is the personality that Brody puts into his song. It gives back that country credibility that the song needs, and sounds pretty good in its own right. Brody, like many Canadian country artists, has some lyrical quirks that you don't typically find in country music.
And I say "Hey, I, want you girl"
You make my heart, heart flutter like a tilt-a-whirl
I don't know about the rest of you, but I certainly don't hear many references to tilt-a-whirls in country music. Which actually kind of surprises me. You'd think that the country and carny lives would be somewhat intertwined.
But anyway, Dean Brody gets the job done here and I do like this song. It's a good entry into the genre, and maybe it'll help spark some more Canadian country music.
Sunday, August 9, 2015
"My Way" - Fetty Wap ft. Monty
I honestly had no idea this song was on the Billboard chart.
I don't even know if I can explain why. I think I saw two Fetty Wap songs next to each other, assumed I was seeing double, and skipped past it. But now that i'm aware of its existence, let me explain something pretty plainly: this is the worst Fetty Wap song I've ever heard.
I'm sure some will just be impressed that I've managed to actually distinguish between Fetty Wap songs, but... yeah. This is the worst. I'll try to explain why without coming off as a Fetty Wap fan, but it's going to be difficult.
I'll put it this way: despite the technical quality of Fetty Wap's other songs, there's an element of fun to 'em. It sounds like Fetty Wap is having fun, and if you squint your ears you can have fun too. I definitely do not get that from this song.
This song is just a drag. If you're not a fan of Fetty Wap's voice, stay the hell away from this song, because it plays a starring role. This is probably Fetty Wap at his most serious, and what person ever wanted a serious Fetty Wap?
I don't even know what else to say here. It's a Fetty Wap song that faisl at even being a Fetty Wap song. That can only be described as the most ultimate of failures.
Then again, there's still that.
I don't even know if I can explain why. I think I saw two Fetty Wap songs next to each other, assumed I was seeing double, and skipped past it. But now that i'm aware of its existence, let me explain something pretty plainly: this is the worst Fetty Wap song I've ever heard.
I'm sure some will just be impressed that I've managed to actually distinguish between Fetty Wap songs, but... yeah. This is the worst. I'll try to explain why without coming off as a Fetty Wap fan, but it's going to be difficult.
I'll put it this way: despite the technical quality of Fetty Wap's other songs, there's an element of fun to 'em. It sounds like Fetty Wap is having fun, and if you squint your ears you can have fun too. I definitely do not get that from this song.
This song is just a drag. If you're not a fan of Fetty Wap's voice, stay the hell away from this song, because it plays a starring role. This is probably Fetty Wap at his most serious, and what person ever wanted a serious Fetty Wap?
I don't even know what else to say here. It's a Fetty Wap song that faisl at even being a Fetty Wap song. That can only be described as the most ultimate of failures.
Then again, there's still that.
Friday, August 7, 2015
Facemelt Friday: "Tear in My Heart" - twenty one pilots
twenty one pilots. What can you say about a band that doesn't even bother to capitalize its name properly?
Well, as far as I can tell, they're your typical fun indie rock band. nothing too out of the ordinary, and unfortunately, nothing too interesting. Take this song as an example. It's pretty paint-by-numbers music, with no real deviations except for the singer's voice. It's a nice song to listen to, but I can't really foresee it sticking with me like great classic rock used to do.
And that's the problem. Where's the staying power of all these songs? Where's the clout of the performers, the memorability? Rock music isn't about going through the motions, it's about making a name for yourself and making sure people remember you, just like all music. I hope I find something as memorable as "Uma Thurman" next time, is all I'm saying.
Well, as far as I can tell, they're your typical fun indie rock band. nothing too out of the ordinary, and unfortunately, nothing too interesting. Take this song as an example. It's pretty paint-by-numbers music, with no real deviations except for the singer's voice. It's a nice song to listen to, but I can't really foresee it sticking with me like great classic rock used to do.
And that's the problem. Where's the staying power of all these songs? Where's the clout of the performers, the memorability? Rock music isn't about going through the motions, it's about making a name for yourself and making sure people remember you, just like all music. I hope I find something as memorable as "Uma Thurman" next time, is all I'm saying.
Wednesday, August 5, 2015
Watch-for-it Wednesday: "Things Change" - Omen ft. J. Cole
The problem with rap music today is that Vine shit is getting popular and making it to the top, while actual rap songs are stuck on my Wednesday segment. It's a cruel world we live in, guys.
But if it's in my Wednesday segment, it means I get to talk about it all the same, and oh god am I happy to talk about actual rap music this time around. This song is really good.
It's not the most exciting rap song I've ever heard (in fact, it's a little on the dull side), but it's just so nice to hear actual thought and effort being put into the lyrics. You hear these Vine raps these days and you wonder where effort like this has gone. Well, it hasn't gone anywhere. You just aren't buying it.
And that is truly a shame, because we need to be promoting more songs like this and less Fetty Wap, T-Wayne and especially Silento.
Ughhhh.
I suppose this entry is just a reminder that there is good rap still out there. You just have to search a little harder for it than you used to. As the song says, things change. Sometimes not for the better.
But if it's in my Wednesday segment, it means I get to talk about it all the same, and oh god am I happy to talk about actual rap music this time around. This song is really good.
It's not the most exciting rap song I've ever heard (in fact, it's a little on the dull side), but it's just so nice to hear actual thought and effort being put into the lyrics. You hear these Vine raps these days and you wonder where effort like this has gone. Well, it hasn't gone anywhere. You just aren't buying it.
And that is truly a shame, because we need to be promoting more songs like this and less Fetty Wap, T-Wayne and especially Silento.
Ughhhh.
I suppose this entry is just a reminder that there is good rap still out there. You just have to search a little harder for it than you used to. As the song says, things change. Sometimes not for the better.
Tuesday, August 4, 2015
CanTunes Tuesday: "2 Heads" - Coleman Hell
On this day of the week, we look at Canadian artists who do things better. Case in point, here's someone doing "Wake Me Up" better than Avicii.
Man, if "Wake Me Up" was my only reference, you wouldn't be able to convince me that electronic music and folk go well together? But here? Like peaches and cream.
I'm actually really surprised I like this song, because as far as I'm concerned, it starts out like a Calvin Harris song.
Yeah... that guy. Ugh.
But once Coleman Hell starts singing, you know that he's got exponentially more talent than Calvin Harris. and then the banjos kick in and it just sounds amazing. I don't think I've ever seen folktronica done this well.
What really works about this song is that the two genres don't feel separate; they feel like they belong together, and they meld together well. you could easily make an electronica song and just slap some banjos over it and call it a day, but here, it's meticulously organized in order to actually sound good. A novel idea, really. Music that sounds good. What won't they think of next?!
I really hope this guy gains the popularity he deserves. I love seeing artists get recognition for good music.
Man, if "Wake Me Up" was my only reference, you wouldn't be able to convince me that electronic music and folk go well together? But here? Like peaches and cream.
I'm actually really surprised I like this song, because as far as I'm concerned, it starts out like a Calvin Harris song.
Yeah... that guy. Ugh.
But once Coleman Hell starts singing, you know that he's got exponentially more talent than Calvin Harris. and then the banjos kick in and it just sounds amazing. I don't think I've ever seen folktronica done this well.
What really works about this song is that the two genres don't feel separate; they feel like they belong together, and they meld together well. you could easily make an electronica song and just slap some banjos over it and call it a day, but here, it's meticulously organized in order to actually sound good. A novel idea, really. Music that sounds good. What won't they think of next?!
I really hope this guy gains the popularity he deserves. I love seeing artists get recognition for good music.
Sunday, August 2, 2015
"679" - Fetty Wap ft. Remy Boyz
...this guy has officially superseded one-hit wonder status. That's weird.
I mean... I think I was nicer to "Trap Queen" than most would be, but did we really need another hit from this guy? I think after "Trap Queen", we've pretty much dissected what this guy is all about, and we can forget about him. But... no. No, we can't. Because here he is again.
I honestly don't know what to say. Is Fetty Wap the future of music? And more importantly, am I okay with that? See, that's the important question here. Whether I, personally, am okay with it.
Well, I don't think Fetty Wap is the worst thing in music I've ever heard, but listening to his stuff he's definitely still a pretty significant step down from good music. You know when you're listening to the real deal, and you know when you're listening to a gimmick. This guy is a gimmick.
At the same time, though... he's honestly giving us some of the "best" mainstream rap of 2015.
You understand that's not exactly a big accomplishment, though. I mean, you've seen the shit I've covered this year. It's just... awful. I don't think I've seen a worse year for mainstream rap, at least not the stuff actually making it onto the Hot 100.
So, while Fetty Wap isn't great, I can honestly say I don't hate his music, probably by association with what he's up against. The Remy Boyz are fine, they do the "bitches bling" thing and call it a day. But oh god, can't we aspire to more than this?
This is not good, thought-provoking music. We need to set things straight quickly if 2015 rap has any hope of being any good. But then again... maybe we should all just bow down and hail our overlord Fetty Wap. YeeeEEEaaah? NaaaAAAaaah.
I mean... I think I was nicer to "Trap Queen" than most would be, but did we really need another hit from this guy? I think after "Trap Queen", we've pretty much dissected what this guy is all about, and we can forget about him. But... no. No, we can't. Because here he is again.
I honestly don't know what to say. Is Fetty Wap the future of music? And more importantly, am I okay with that? See, that's the important question here. Whether I, personally, am okay with it.
Well, I don't think Fetty Wap is the worst thing in music I've ever heard, but listening to his stuff he's definitely still a pretty significant step down from good music. You know when you're listening to the real deal, and you know when you're listening to a gimmick. This guy is a gimmick.
At the same time, though... he's honestly giving us some of the "best" mainstream rap of 2015.
You understand that's not exactly a big accomplishment, though. I mean, you've seen the shit I've covered this year. It's just... awful. I don't think I've seen a worse year for mainstream rap, at least not the stuff actually making it onto the Hot 100.
So, while Fetty Wap isn't great, I can honestly say I don't hate his music, probably by association with what he's up against. The Remy Boyz are fine, they do the "bitches bling" thing and call it a day. But oh god, can't we aspire to more than this?
This is not good, thought-provoking music. We need to set things straight quickly if 2015 rap has any hope of being any good. But then again... maybe we should all just bow down and hail our overlord Fetty Wap. YeeeEEEaaah? NaaaAAAaaah.
Friday, July 31, 2015
Facemelt Friday: "Ex's and Oh's" - Elle King
Well, this is always a nice sight to see. More females in rock music!
Throughout rock history, the talent behind the instruments has always been heavily slanted towards one gender in particular. But the more we can get new female artists making a splash on the rock charts, the sooner we can change that statistic. So, how is this song?
Well... okay, the title of this song is really stupid.
Ex's and... Oh's? I get the tic-tac-toe thing, but in the context of the song, how do your "Oh's" haunt you? Yeah. That's where it falls apart for me. And the rest of the song is... okay.
It's honestly nothing I haven't heard from a lot of indie rock these days. The only thing this song really has going for it is Elle King's personality, which comes through in her voice, in her lyrics, and in this video. Wow! Suddenly I feel ashamed of my body for no apparent reason.
And I suppose that big, gaping personality is enough to save the song. I do hope for good things from Elle King, and I hope to hear new songs where she experiments a little with what current rock music can sound like.
Throughout rock history, the talent behind the instruments has always been heavily slanted towards one gender in particular. But the more we can get new female artists making a splash on the rock charts, the sooner we can change that statistic. So, how is this song?
Well... okay, the title of this song is really stupid.
Ex's and... Oh's? I get the tic-tac-toe thing, but in the context of the song, how do your "Oh's" haunt you? Yeah. That's where it falls apart for me. And the rest of the song is... okay.
It's honestly nothing I haven't heard from a lot of indie rock these days. The only thing this song really has going for it is Elle King's personality, which comes through in her voice, in her lyrics, and in this video. Wow! Suddenly I feel ashamed of my body for no apparent reason.
And I suppose that big, gaping personality is enough to save the song. I do hope for good things from Elle King, and I hope to hear new songs where she experiments a little with what current rock music can sound like.
Wednesday, July 29, 2015
Watch-for-it Wednesday: "U Guessed It" - OG Maco
If you'll excuse me for a moment, I'm just going to sit here and lament the state of rap music today. Ahem... OH GOD WHYYYY
*sigh* All right, this is... "U Guessed It" by OG Maco.
Okay, can I ask something here? Is Vine really such a great barometer for popular, widespread music? Let me give you an example:
This song was absolutely everywhere in 2008. You saw it on music channels, it blew up on YouTube, you heard it on the radio. You couldn't escape it! So as such, it became a #1 hit. Conversely, this is where I know "U Guessed It" from.
That's it! And while I can attest to the humour of this Vine, I'm not a frequent Viner and I haven't heard this anywhere else! So how can this be one of the top emerging artists if I've barely heard of his "hit" song?
Well, it seems that Viners have been curious to check out the entire song after they hear the Vine, because this song has (no joke) 38 million views on YouTube and counting. And as far as I can tell, all of those views come from amused Viners because this fucking bloooowwwws.
The problem with Vine-popular songs, usually, is that the only notable part of the song is the part they use in the Vine. And that's definitely the case here. There is nothing else of value in this song, and when your song's value rests on a 6-second punchline, well... how good can you really say it is?
God, I'm just so sick of this garbage polluting the charts. It's been going on for far too long in 2015 and I'm here to put a stop to it. Boycott Vine! Stop watching Vine! I...
Teehee. Okay, I guess that was pretty funny. ...No! I stand by my previous comments. No more Vine! No more...
Oh, Vine. I can't stay mad at you.
Vine really is an interesting concept. It's pretty much solidified the theory that the attention span nowadays has drastically dropped. I mean, who wants to watch a three minute video anymore? No one, that's who! So Vine gives us multiple 6-second clips of goodness, and I will forever be grateful it exists, as it gives a whole new opportunity for aspiring filmmakers to work with limits and work around them, and provides us with some pretty good entertainment along the way!
Just... please. Keep it off Billboard. Thanks.
HA! Got eem!
*sigh* All right, this is... "U Guessed It" by OG Maco.
Okay, can I ask something here? Is Vine really such a great barometer for popular, widespread music? Let me give you an example:
This song was absolutely everywhere in 2008. You saw it on music channels, it blew up on YouTube, you heard it on the radio. You couldn't escape it! So as such, it became a #1 hit. Conversely, this is where I know "U Guessed It" from.
That's it! And while I can attest to the humour of this Vine, I'm not a frequent Viner and I haven't heard this anywhere else! So how can this be one of the top emerging artists if I've barely heard of his "hit" song?
Well, it seems that Viners have been curious to check out the entire song after they hear the Vine, because this song has (no joke) 38 million views on YouTube and counting. And as far as I can tell, all of those views come from amused Viners because this fucking bloooowwwws.
The problem with Vine-popular songs, usually, is that the only notable part of the song is the part they use in the Vine. And that's definitely the case here. There is nothing else of value in this song, and when your song's value rests on a 6-second punchline, well... how good can you really say it is?
God, I'm just so sick of this garbage polluting the charts. It's been going on for far too long in 2015 and I'm here to put a stop to it. Boycott Vine! Stop watching Vine! I...
Teehee. Okay, I guess that was pretty funny. ...No! I stand by my previous comments. No more Vine! No more...
Oh, Vine. I can't stay mad at you.
Vine really is an interesting concept. It's pretty much solidified the theory that the attention span nowadays has drastically dropped. I mean, who wants to watch a three minute video anymore? No one, that's who! So Vine gives us multiple 6-second clips of goodness, and I will forever be grateful it exists, as it gives a whole new opportunity for aspiring filmmakers to work with limits and work around them, and provides us with some pretty good entertainment along the way!
Just... please. Keep it off Billboard. Thanks.
HA! Got eem!
Tuesday, July 28, 2015
CanTunes Tuesday: "Here" - Alessia Cara
Do you ever just have that one party that you feel pressured to go to and you don't really want to go, but all your friends are there so you decide to make the best of the situation? Yeah, uh... here's a song for you.
This is an interesting one, for sure. I've heard a lot of songs as of late go against the typical tropes you see in popular music, most notably "Royals", but this one does so in a different way. It tells a story from the person's perspective, and she's actually encompassed in the party environment. It's really quite interesting, and I think we sort of needed a song like this.
At the same time, though, I'm not sure how well this song connects to pop music culture, and I think that's what it's, at least in part, trying to do. If you don't listen to the lyrics, you might mistake this for your run-of-the-mill pop song. But the subject matter presented here negates that perspective. However, some of the diction choices, such as the repetition of the word "here" over and over in the chorus take very broad brushstrokes from pop music. It's a bit of a muddle, and I honestly would prefer that this song be a little more interesting. But at the same time, I can see the irony in adapting a style that contradicts your message, sort of like a parody. But it's just not presented with enough self-awareness for me to identify it as such.
Overall, I think the song is good, but not great. I can definitely see how it would appeal to some people, but for me, I think the message is a little muddled by the musical choices made in the song, and it also doesn't do enough to stand out.
This is an interesting one, for sure. I've heard a lot of songs as of late go against the typical tropes you see in popular music, most notably "Royals", but this one does so in a different way. It tells a story from the person's perspective, and she's actually encompassed in the party environment. It's really quite interesting, and I think we sort of needed a song like this.
At the same time, though, I'm not sure how well this song connects to pop music culture, and I think that's what it's, at least in part, trying to do. If you don't listen to the lyrics, you might mistake this for your run-of-the-mill pop song. But the subject matter presented here negates that perspective. However, some of the diction choices, such as the repetition of the word "here" over and over in the chorus take very broad brushstrokes from pop music. It's a bit of a muddle, and I honestly would prefer that this song be a little more interesting. But at the same time, I can see the irony in adapting a style that contradicts your message, sort of like a parody. But it's just not presented with enough self-awareness for me to identify it as such.
Overall, I think the song is good, but not great. I can definitely see how it would appeal to some people, but for me, I think the message is a little muddled by the musical choices made in the song, and it also doesn't do enough to stand out.
Sunday, July 26, 2015
"Lean On" - Major Lazer & DJ Snake ft. M0
As the years go by, dance tracks seem to be getting less and less prevalent on the mainstream charts. I guess we were all burnt out by the end of 2013, 2014 started the decline, and now 2015 is more scarce than ever. But dance songs do still exist in popular music, as evidenced by the latest track on my queue, "Lean On" by Major Lazer and DJ Snake.
I honestly can't tell you what this means for dance music these days, but the video is definitely setting cultural relations a few steps back.
Okay, so I've talked about Diplo before, and he is one of the members of Major Lazer. His work with DJ Snake does well to create an interesting dance beat that incorporates both their styles. I'd honestly like to see more electronic music producers collaborate like this.
Beyond that, though, I'm not a huge fan of M0's vocals or the lackluster lyrics. Adding the vocals in makes that song sound like it doesn't really build up to anything, kind of nullifying DJ Snake's influence on the song. It doesn't completely ruin it, but I think it's a fairly sizable detriment.
So overall, this song is just okay for me. What this says for the future of electronic music, i don't know. We've had okay dance songs in the past. But as of now, I don't really see much here.
I honestly can't tell you what this means for dance music these days, but the video is definitely setting cultural relations a few steps back.
Okay, so I've talked about Diplo before, and he is one of the members of Major Lazer. His work with DJ Snake does well to create an interesting dance beat that incorporates both their styles. I'd honestly like to see more electronic music producers collaborate like this.
Beyond that, though, I'm not a huge fan of M0's vocals or the lackluster lyrics. Adding the vocals in makes that song sound like it doesn't really build up to anything, kind of nullifying DJ Snake's influence on the song. It doesn't completely ruin it, but I think it's a fairly sizable detriment.
So overall, this song is just okay for me. What this says for the future of electronic music, i don't know. We've had okay dance songs in the past. But as of now, I don't really see much here.
Friday, July 24, 2015
Facemelt Friday: "Budapest" - George Ezra
Note: Apologies for no Wednesday entry this week. Completely slipped my mind, and I will definitely have one up next week. Anyway, back to the show!
So the fundamental problem with my title "Facemelt Friday" is simply that popular rock music these days doesn't really do much face melting. It's more of a mellow coating of aloe vera. Case in point, here's "Budapest" by George Ezra.
What can I say about this? Honestly.
Well... rock music typically has intricate, well-thought-out lyrics... maybe I can take a crack at those!
...this song is very cute. It's a love song.
Okay, so in the song he talks about all of his possessions and how he would leave them all for "you", despite what his family might think. It's a nice sentiment. I just wish there was more emotion put into it.
The production basically just goes through the motions without much thought. It makes me not care as much about the song, or what George Ezra has to go through. If he can't get across his anguish and love, then what am I supposed to fell? Instead, he goes the Phillip Phillips route of just sounding... mellow.
And I'm sorry, but mellowness is just not a trait in music that we need. You can't make good mellow music; have you ever seen any piece of media that was mellow that worked? Have you ever seen a good mellow film? Or watched a full season of a mellow TV show? Hell, even Mello Yello lives in the shadow of Mountain Dew. Because who wants to drink something mellow?
Sorry, George. It's a nice sentiment, as I said, but there just isn't much that you've done with it. I wish I could say more, but I think I'm done with it.. Too bad George Ezra can't emote enough to respond to this.
So the fundamental problem with my title "Facemelt Friday" is simply that popular rock music these days doesn't really do much face melting. It's more of a mellow coating of aloe vera. Case in point, here's "Budapest" by George Ezra.
What can I say about this? Honestly.
Well... rock music typically has intricate, well-thought-out lyrics... maybe I can take a crack at those!
...this song is very cute. It's a love song.
Okay, so in the song he talks about all of his possessions and how he would leave them all for "you", despite what his family might think. It's a nice sentiment. I just wish there was more emotion put into it.
The production basically just goes through the motions without much thought. It makes me not care as much about the song, or what George Ezra has to go through. If he can't get across his anguish and love, then what am I supposed to fell? Instead, he goes the Phillip Phillips route of just sounding... mellow.
And I'm sorry, but mellowness is just not a trait in music that we need. You can't make good mellow music; have you ever seen any piece of media that was mellow that worked? Have you ever seen a good mellow film? Or watched a full season of a mellow TV show? Hell, even Mello Yello lives in the shadow of Mountain Dew. Because who wants to drink something mellow?
Sorry, George. It's a nice sentiment, as I said, but there just isn't much that you've done with it. I wish I could say more, but I think I'm done with it.. Too bad George Ezra can't emote enough to respond to this.
Tuesday, July 21, 2015
CanTunes Tuesday (Flashback): "Find Your Love" - Drake (2010)
All right, so it's been a while since I've had to do this, but it looks like the Canadian charts are stagnant again as far as homegrown acts go, so let's take it back a couple years to 2010, when Drake was still finding his place in the business.
In 2009, Drake released his debut EP and instantly turned into one of the big stars of hip hop, with smash hit collaboration "Forever" and his first album on the way. That album would turn Drake from star into superstar.
And here's "Find Your Love", the song that essentially cemented Drake into pop music history forever. How is it? Well... I gotta be honest, I love this song.
It's always great to hear Drake embrace his R&B side. Actually, up until recently, I thought that's where he shined the brightest. But now he's released his latest mixtape and my perceptions of him have been turned on their heads and... well, let's get back to this song.
Not only is Drake's voice probably the most on point it's ever been, the production on this is also stellar. It really does tug at the heartstrings, and the production helps to pump up the song a little. It really is an interesting mood to take, and I don't think I've ever heard a song like this. Hey hey hey!
Now that it's stopped playing constantly on the radio, I can look back on this song with fond memories. Definitely one of the standout gems of 2010. It's a shame Drake wasted so much time failing at showing emotion when we can clearly see that he can. Oh well. At least there were glimpses of talent throughout his career, and now that I have a whole new perspective on Drake, I can look forward to his future projects. Now that's some kind of love. Or appreciation, rather.
In 2009, Drake released his debut EP and instantly turned into one of the big stars of hip hop, with smash hit collaboration "Forever" and his first album on the way. That album would turn Drake from star into superstar.
And here's "Find Your Love", the song that essentially cemented Drake into pop music history forever. How is it? Well... I gotta be honest, I love this song.
It's always great to hear Drake embrace his R&B side. Actually, up until recently, I thought that's where he shined the brightest. But now he's released his latest mixtape and my perceptions of him have been turned on their heads and... well, let's get back to this song.
Not only is Drake's voice probably the most on point it's ever been, the production on this is also stellar. It really does tug at the heartstrings, and the production helps to pump up the song a little. It really is an interesting mood to take, and I don't think I've ever heard a song like this. Hey hey hey!
Now that it's stopped playing constantly on the radio, I can look back on this song with fond memories. Definitely one of the standout gems of 2010. It's a shame Drake wasted so much time failing at showing emotion when we can clearly see that he can. Oh well. At least there were glimpses of talent throughout his career, and now that I have a whole new perspective on Drake, I can look forward to his future projects. Now that's some kind of love. Or appreciation, rather.
Sunday, July 19, 2015
"Worth It" - Fifth Harmony ft. Kid Ink
Ooh boy.
Wow girls, um... this is... this is... god, this is awful.
I can't even pretend to like this. It's just repetitive, meaningless garbage. Seriously, this song could have been cut into thirds and each one would have sounded pretty much the same. Kid Ink appears on this song twice, and the second time he doesn't even do anything different! Not only that, but it was an awful idea to even have him on the track in the first place. It's obvious that Fifth Harmony are trying to assert themselves as dominant, so why have Kid Ink up in your song spouting garbage like this and setting that back?
OK, I tell her bring it back like she left some-
Bring it bring it back like she left some-
...left some what? Seriously, what? I'm confused.
with it with it with it with it
Are you stuck, Kid Ink? Do I have to knock on your head to get you going again? What a waste.
Of course, it's not like the women in Fifth Harmony do anything to distinguish themselves either. The closest any of them come are Camila, who sings the chorus and has the second verse, and Dinah, who has the first verse. Meanwhile, two of them sing the bridge and I can't tell them apart, nor do I care enough to. And... I guess the fifth girl is just there for show?
Well, this was my introduction to Fifth Harmony, and let me tell ya, I'm not really all that impressed. I guess the sax is nice, as well as being the only memorable part of the song, but I can't think of any other reason to listen to this. Nothing will make this worth it.
Wow girls, um... this is... this is... god, this is awful.
I can't even pretend to like this. It's just repetitive, meaningless garbage. Seriously, this song could have been cut into thirds and each one would have sounded pretty much the same. Kid Ink appears on this song twice, and the second time he doesn't even do anything different! Not only that, but it was an awful idea to even have him on the track in the first place. It's obvious that Fifth Harmony are trying to assert themselves as dominant, so why have Kid Ink up in your song spouting garbage like this and setting that back?
OK, I tell her bring it back like she left some-
Bring it bring it back like she left some-
...left some what? Seriously, what? I'm confused.
with it with it with it with it
Are you stuck, Kid Ink? Do I have to knock on your head to get you going again? What a waste.
Of course, it's not like the women in Fifth Harmony do anything to distinguish themselves either. The closest any of them come are Camila, who sings the chorus and has the second verse, and Dinah, who has the first verse. Meanwhile, two of them sing the bridge and I can't tell them apart, nor do I care enough to. And... I guess the fifth girl is just there for show?
Well, this was my introduction to Fifth Harmony, and let me tell ya, I'm not really all that impressed. I guess the sax is nice, as well as being the only memorable part of the song, but I can't think of any other reason to listen to this. Nothing will make this worth it.
Friday, July 17, 2015
Facemelt Friday: "Uma Thurman" - Fall Out Boy
Okay, welcome to Facemelt Friday everybody! Yes, it's another stupid alliterative title, just learn to deal with it. So in this column, I'll be discussing what's making it big on the rock charts. Today we've got Fall Out Boy's "Uma Thurman".
This one's kind of interesting. It's essentially a song dedicated to Uma Thurman nd her characters, notably in Kill Bill and Pulp Fiction. Whatever the concept, I gotta say, it definitely packs more of a punch than "Centuries" ever did.
Fall Out Boy sounds like they're having fun with their music again, and I love that. To take a concept song so out of left field and make it work so well is definitely a tough feat, but it helps when you enjoy what you're doing. And as far as I can tell, the band, especially Patrick Stump, is enjoying every minute of this song. Just listen to this guy's vocal performance. He is giving it his all to make this song as over-the-top as he can.
And I gotta say, this video's pretty funny too. Again, a return to form for the goofy band, and I definitely hope to hear and see more stuff like this from them.
This one's kind of interesting. It's essentially a song dedicated to Uma Thurman nd her characters, notably in Kill Bill and Pulp Fiction. Whatever the concept, I gotta say, it definitely packs more of a punch than "Centuries" ever did.
Fall Out Boy sounds like they're having fun with their music again, and I love that. To take a concept song so out of left field and make it work so well is definitely a tough feat, but it helps when you enjoy what you're doing. And as far as I can tell, the band, especially Patrick Stump, is enjoying every minute of this song. Just listen to this guy's vocal performance. He is giving it his all to make this song as over-the-top as he can.
And I gotta say, this video's pretty funny too. Again, a return to form for the goofy band, and I definitely hope to hear and see more stuff like this from them.
Wednesday, July 15, 2015
Watch-for-it Wednesday: "Renegades" - X Ambassadors
Finally, an artist on here that is actually gaining popularity! I was starting to think this part of the blog was useless... or at least more useless than the rest. Anyway, X Ambassadors!
Now I've actually heard of this song before today; it gets a fair amount of airplay on the rock stations around here. It's pretty much your basic "we are rebels and will not succumb to the norms of society" song, which, ironically, is starting to align with the norms of society. Go figure.
The song calls out to the Kubricks and the Spielbergs, which is at least a somewhat interesting turn for the song to take. I have to say, name-dropping is not usually something I hear in these types of songs. It also works to the song's advantage, citing brilliant minds that thought differently from the norm, and actually became successful as a result. That was a smart idea.
But most of it is honestly just paint-by-numbers and I feel like I've heard this song a million times before, and better. There's definitely artists from this column that I would have chosen over these guys. But to be fair, they're not terrible. They're just nothing special.
Now I've actually heard of this song before today; it gets a fair amount of airplay on the rock stations around here. It's pretty much your basic "we are rebels and will not succumb to the norms of society" song, which, ironically, is starting to align with the norms of society. Go figure.
The song calls out to the Kubricks and the Spielbergs, which is at least a somewhat interesting turn for the song to take. I have to say, name-dropping is not usually something I hear in these types of songs. It also works to the song's advantage, citing brilliant minds that thought differently from the norm, and actually became successful as a result. That was a smart idea.
But most of it is honestly just paint-by-numbers and I feel like I've heard this song a million times before, and better. There's definitely artists from this column that I would have chosen over these guys. But to be fair, they're not terrible. They're just nothing special.
Tuesday, July 14, 2015
CanTunes Tuesday: "Jackpot" - Jocelyn Alice
Jocelyn & Lisa are a Canadian indie soul pop duo from Calgary. Jocelyn Alice, the main singer, released a single this year called "Jackpot". It's... okay.
Honestly, I listened to a little bit of Jocelyn & Lisa's stuff, and I gotta say, I prefer that vastly over this. This song still has some stuff going for it. Jocelyn Alice is a great vocalist, and she works with the song enough to make it slightly interesting. But there just isn't enough for me here to keep me coming back. I think a lot of the problem in the beat.
This beat is just too limp for me to invest anything in this song. I sort of see something coming through here, but it's not enough to make for a fulfilling song. Jocelyn's voice carries the song, and unfortunately her voice isn't that good. It's good, just not good enough to carry a song on her own.
It's not a terrible song, it just doesn't do much for me. Jocelyn Alice is a good artist, but this just didn't interest me. No jackpot here.
Honestly, I listened to a little bit of Jocelyn & Lisa's stuff, and I gotta say, I prefer that vastly over this. This song still has some stuff going for it. Jocelyn Alice is a great vocalist, and she works with the song enough to make it slightly interesting. But there just isn't enough for me here to keep me coming back. I think a lot of the problem in the beat.
This beat is just too limp for me to invest anything in this song. I sort of see something coming through here, but it's not enough to make for a fulfilling song. Jocelyn's voice carries the song, and unfortunately her voice isn't that good. It's good, just not good enough to carry a song on her own.
It's not a terrible song, it just doesn't do much for me. Jocelyn Alice is a good artist, but this just didn't interest me. No jackpot here.
Sunday, July 12, 2015
"Where Are U Now" - Skrillex & Diplo with Justin Bieber
So, Skrillex has come back in a big way this year, and he's bringing Justin Bieber with him!
http://www.tubechop.com/watch/6406303
We'll get to that beat in a second. For now, let's focus on Skrillex's career to date.
Skrillex's solo career began in 2008 when he started producing music in Los Angeles. He released his debut EP in 2010, and continued to build up buzz until he became a household name. However, this newest single that he has out now has been his first Top 10 hit, collaborating with electronic music producer Diplo. I remember singing the praises of their collaboration with Kiesza earlier this year. So what do I think of this?
Oh... oh, god, do I hate this.
Yeah, okay, so let's start off with that beat. The beat in "Take U There" used both Skrillex and Diplo's markings to their advantage, with Diplo's buildup and Skrillex's breakdown. But this beat is... limp and unfinished. We have a not-so-interesting buildup leading to a not-so-interesting breakdown, and I can't hear Skrillex at all in this.
Secondly, how dare you swap out Kiesza for Justin Bieber. He has never sounded more uninterested in his entire career, and he's definitely not the fireball of energy Kiesza is. It's like after the first single, everyone felt they could suddenly get boring again. And since this is doing better than their last single together, I suppose they can!
*sigh* I really wish "Take U There" had gotten popular and this tanked. Because I thought "Take U There" was the perfect melding of both Skrillex and Diplo's strengths. But this song doesn't use either of them well, and the lackluster vocalist they got definitely doesn't help. Stick to celebrity roasts of yourself, Justin Bieber.
I'm really disappointed with this follow-up single. It sounds weak and uninspired. I hope Skrillex and Diplo release better stuff than this from their album, because I'm not a fan of where they're heading. Where am I now? I'm off listening to the first single. Seeya!
http://www.tubechop.com/watch/6406303
We'll get to that beat in a second. For now, let's focus on Skrillex's career to date.
Skrillex's solo career began in 2008 when he started producing music in Los Angeles. He released his debut EP in 2010, and continued to build up buzz until he became a household name. However, this newest single that he has out now has been his first Top 10 hit, collaborating with electronic music producer Diplo. I remember singing the praises of their collaboration with Kiesza earlier this year. So what do I think of this?
Oh... oh, god, do I hate this.
Yeah, okay, so let's start off with that beat. The beat in "Take U There" used both Skrillex and Diplo's markings to their advantage, with Diplo's buildup and Skrillex's breakdown. But this beat is... limp and unfinished. We have a not-so-interesting buildup leading to a not-so-interesting breakdown, and I can't hear Skrillex at all in this.
Secondly, how dare you swap out Kiesza for Justin Bieber. He has never sounded more uninterested in his entire career, and he's definitely not the fireball of energy Kiesza is. It's like after the first single, everyone felt they could suddenly get boring again. And since this is doing better than their last single together, I suppose they can!
*sigh* I really wish "Take U There" had gotten popular and this tanked. Because I thought "Take U There" was the perfect melding of both Skrillex and Diplo's strengths. But this song doesn't use either of them well, and the lackluster vocalist they got definitely doesn't help. Stick to celebrity roasts of yourself, Justin Bieber.
I'm really disappointed with this follow-up single. It sounds weak and uninspired. I hope Skrillex and Diplo release better stuff than this from their album, because I'm not a fan of where they're heading. Where am I now? I'm off listening to the first single. Seeya!
Friday, July 10, 2015
Flashback Friday: "Gravy (for My Mashed Potatoes)" - Dee Sharp (1962)
What the hell am I listening to?
I know that early Billboard hits had a lot of silly stuff with them, but this seems like a little... much. Right from the title, I can tell that this is probably not going to be worth my time. And I was pretty much right. It offers nothing except forgettable cheese. Sorry, that's gravy and mashed potatoes.
Okay, a little history: The "mashed potato" is actually a dance move popularized in the early 60's by James Brown. And that's really all you need to know, because this song is actually about ex. Gross, gross sex.
"Gravy for my mashed potatoes"... doesn't that just sound wrong? There's nothing too abstract about it, but I don't want to hear about sex being called that. I'd actually prefer it if I had to think about it a little. I'd still probably be disgusted, but at least I'd feel accomplished.
Nah, I don't want to talk about this. Instead, I'd like to tell you all that starting next Friday, Flashback Friday will be replaced with a more... contemporary segment. You'll find out soon enough! Seeya next time.
I know that early Billboard hits had a lot of silly stuff with them, but this seems like a little... much. Right from the title, I can tell that this is probably not going to be worth my time. And I was pretty much right. It offers nothing except forgettable cheese. Sorry, that's gravy and mashed potatoes.
Okay, a little history: The "mashed potato" is actually a dance move popularized in the early 60's by James Brown. And that's really all you need to know, because this song is actually about ex. Gross, gross sex.
"Gravy for my mashed potatoes"... doesn't that just sound wrong? There's nothing too abstract about it, but I don't want to hear about sex being called that. I'd actually prefer it if I had to think about it a little. I'd still probably be disgusted, but at least I'd feel accomplished.
Nah, I don't want to talk about this. Instead, I'd like to tell you all that starting next Friday, Flashback Friday will be replaced with a more... contemporary segment. You'll find out soon enough! Seeya next time.
Wednesday, July 8, 2015
Watch-for-it Wednesday: "Coming Home" - Leon Bridges
We've recently had a whole whack of throwbacks in pop music, from Bruno Mars to Meghan Trainor. But amongst those, I can't remember a single throwback to straightforward 50's-style soul. Thankfully, Leon Bridges is here to remind us how it all began.
It's honestly super-refreshing to hear such a great throwback coming out in 2015. It sounds authentic, rather than an artist just trying on the genre for size. I could actually see this song being played in the 1950's.
It's kind of an odd experience, truth be told. You don't hear throwbacks quite this authentic every day, and I'm not sure what it means for the world of pop. Are we really so desperate for something new that we have to reach back to something so old?
Well, I suppose that can only be determined by how well this song does. Like I said, I don't think I've heard a throwback as authentic as this one since "I Believe in a Thing Called Love". (And if you think that song is anything but awesome, your opinion is wrong.)
So I guess ultimately we'll just wait the year out and see if this song does anything on the charts. Then we'll see if it starts to become a trend. For now, Leon Bridges made a solid soul song. 50's music isn't really my thing, but regardless it's nice to be blessed with a throwback such as this one every once in a while.
It's honestly super-refreshing to hear such a great throwback coming out in 2015. It sounds authentic, rather than an artist just trying on the genre for size. I could actually see this song being played in the 1950's.
It's kind of an odd experience, truth be told. You don't hear throwbacks quite this authentic every day, and I'm not sure what it means for the world of pop. Are we really so desperate for something new that we have to reach back to something so old?
Well, I suppose that can only be determined by how well this song does. Like I said, I don't think I've heard a throwback as authentic as this one since "I Believe in a Thing Called Love". (And if you think that song is anything but awesome, your opinion is wrong.)
So I guess ultimately we'll just wait the year out and see if this song does anything on the charts. Then we'll see if it starts to become a trend. For now, Leon Bridges made a solid soul song. 50's music isn't really my thing, but regardless it's nice to be blessed with a throwback such as this one every once in a while.
Tuesday, July 7, 2015
CanTunes Tuesday: "Beast" - Mia Martina ft. Waka Flocka
There's a barometer to pop music that goes beyond whether a song is any good or not. It also determines whether or not the artist has any star quality. And I don't know, I just don't see it in Mia Martina. (Sounds like a character on a defunct kid's TV show.)
We can start from the beginning to assess why this song has no star power: it stars Waka Flocka freakin Flame. And that was just entirely, entirely the wrong choice for a song like this. I mean, you could have chosen... wait.
http://www.tubechop.com/watch/6368930
That's how low we've sunk, people. JUICY J would have been a better choice for this song!
I mean, sure he's slimy, and like, 40 years old, but at least he can hold up his own half of a song! Waka Flocka, not knowing much vocabulary outside of "Waka", "Flocka", and "flame", utterly fails to match the tone of this song and throws everything off. Not that Mia Martina's doing much justice for the song either, mind you.
This whole Mia Martina thing is honestly weird for me to articulate. Is she a bad artist in any way? No, I suppose not. But there's nothing in her for me that screams "star". She's like one of those contestants on American Idol that didn't create enough drama so she was voted off the show. Sorry, Canadian Idol.
And that's been a pervasive problem in all of her music. Something about it just seems half-assed or uncommitted. And you simply can't have that in a full-fledged pop star. Like, what's this song about?
'Cause when the stars align, you might bring the beast out
It's about sex. So why does she sound so unsexy here?
This is almost the same problem I had with Selena Gomez's "Good for You", except here it's just boring. She's not a bad singer, but she's not portraying the right kind of tone in her song. It all reads like an EDM track without the EDM music.
And that's honestly all I can say about it. It's a song that feels like there wasn't much effort put into it. And I can only assume that's why Mia Martina hasn't caught on in the States.
We can start from the beginning to assess why this song has no star power: it stars Waka Flocka freakin Flame. And that was just entirely, entirely the wrong choice for a song like this. I mean, you could have chosen... wait.
http://www.tubechop.com/watch/6368930
That's how low we've sunk, people. JUICY J would have been a better choice for this song!
I mean, sure he's slimy, and like, 40 years old, but at least he can hold up his own half of a song! Waka Flocka, not knowing much vocabulary outside of "Waka", "Flocka", and "flame", utterly fails to match the tone of this song and throws everything off. Not that Mia Martina's doing much justice for the song either, mind you.
This whole Mia Martina thing is honestly weird for me to articulate. Is she a bad artist in any way? No, I suppose not. But there's nothing in her for me that screams "star". She's like one of those contestants on American Idol that didn't create enough drama so she was voted off the show. Sorry, Canadian Idol.
And that's been a pervasive problem in all of her music. Something about it just seems half-assed or uncommitted. And you simply can't have that in a full-fledged pop star. Like, what's this song about?
'Cause when the stars align, you might bring the beast out
It's about sex. So why does she sound so unsexy here?
This is almost the same problem I had with Selena Gomez's "Good for You", except here it's just boring. She's not a bad singer, but she's not portraying the right kind of tone in her song. It all reads like an EDM track without the EDM music.
And that's honestly all I can say about it. It's a song that feels like there wasn't much effort put into it. And I can only assume that's why Mia Martina hasn't caught on in the States.
Sunday, July 5, 2015
"Good for You" - Selena Gomez ft. A$ap Rocky
Selena Gomez is back!
Selena's never been one of my favourite artists, but she's slowly finding her way, I think. After the stunning failure that was "Come & Get It", Selena's been struggling to find an identity for her adult years as a pop singer. "The Heart Wants What it Wants", a hit she had late last year kind of helped her along that path, showing that she can play the part of "lover with unhealthy attachments to bad boys" or something like that. And now, roughly seven months later, we have this song on our repertoire, "Good for You". How do I feel about it? Um...
It's... good in a creepy sort of way?
I'm a little torn on this one, so bear with me. You have Selena Gomez, basically making the most submissive pop hit of 2015.
http://www.tubechop.com/watch/6358328
Okay... second most.
No, you know what, I take that back. As weirdly anti-feminist as Nicki Minaj's lyrics seem, at least she seems totally on board with them. She sounds very enthusiastic about cooking and cleaning. Hey, you know what? More power to her. But Selena?
I just wanna look good for ya, good for ya
Oh, oh
This doesn't sound like she really wants to look good for her man. It just sounds like she's scared that she won't look good enough for her man. It sounds really uncomfortable.
And yet... I don't think that necessarily makes me dislike the song. I mean, if Selena Gomez released more stuff like this, I might actually be for it. Let me explain:
If Selena Gomez continued down this path, I think it would carve out an interesting persona for her. Sort of like a dark, sexy persona. Hey, some people could be into it. But if this is just a misguided attempt to make a straight-up sexy song... well, I can't really support it.
So it really all depends on what this means for Selena's future to me. If she continues down this path, great! I think it could be a really interesting journey with her music. If she doesn't... well then this song is more like a blip on the radar to me, and an uncomfortable blip at that.
Oh yeah, and A$AP Rocky is on this too. His presence makes the song a little better, I think. It makes it a little more tolerable, as we can be reassured that the guy isn't an abusive asshole. Honestly, his verse is kinda sweet. So it's definitely a good addition to the song. But I still can't quite write it off as a song I particularly love. We'll just see where Selena's career goes after this, and see if this song will be good for her.
Selena's never been one of my favourite artists, but she's slowly finding her way, I think. After the stunning failure that was "Come & Get It", Selena's been struggling to find an identity for her adult years as a pop singer. "The Heart Wants What it Wants", a hit she had late last year kind of helped her along that path, showing that she can play the part of "lover with unhealthy attachments to bad boys" or something like that. And now, roughly seven months later, we have this song on our repertoire, "Good for You". How do I feel about it? Um...
It's... good in a creepy sort of way?
I'm a little torn on this one, so bear with me. You have Selena Gomez, basically making the most submissive pop hit of 2015.
http://www.tubechop.com/watch/6358328
Okay... second most.
No, you know what, I take that back. As weirdly anti-feminist as Nicki Minaj's lyrics seem, at least she seems totally on board with them. She sounds very enthusiastic about cooking and cleaning. Hey, you know what? More power to her. But Selena?
I just wanna look good for ya, good for ya
Oh, oh
This doesn't sound like she really wants to look good for her man. It just sounds like she's scared that she won't look good enough for her man. It sounds really uncomfortable.
And yet... I don't think that necessarily makes me dislike the song. I mean, if Selena Gomez released more stuff like this, I might actually be for it. Let me explain:
If Selena Gomez continued down this path, I think it would carve out an interesting persona for her. Sort of like a dark, sexy persona. Hey, some people could be into it. But if this is just a misguided attempt to make a straight-up sexy song... well, I can't really support it.
So it really all depends on what this means for Selena's future to me. If she continues down this path, great! I think it could be a really interesting journey with her music. If she doesn't... well then this song is more like a blip on the radar to me, and an uncomfortable blip at that.
Oh yeah, and A$AP Rocky is on this too. His presence makes the song a little better, I think. It makes it a little more tolerable, as we can be reassured that the guy isn't an abusive asshole. Honestly, his verse is kinda sweet. So it's definitely a good addition to the song. But I still can't quite write it off as a song I particularly love. We'll just see where Selena's career goes after this, and see if this song will be good for her.
Friday, July 3, 2015
Flashback Friday: "The Tracks of My Tears" - Johnny Rivers (1967)
Okay, so I'm hearing this great song by The Miracles called "The Tracks of My Tears"...
Great song about heartache and putting on a fake smile to cover up your true emotions. But then I learn that this version actually became more popular:
And while it's not bad, it's just... wow, that first version was so good! No need for a second-rate cover.
Nothing really too much against the cover, but it almost sounds like it's going back a decade in terms of music. And not really in the good sort of way like a throwback, more like in the bad sort of way, like dated.
All I'm saying is if you're going to make a cover, you should add something to the original to justify its existence. I think that this cover takes away from what made the original good. I don't hate it, but there's no reason to listen to this over the original.
Great song about heartache and putting on a fake smile to cover up your true emotions. But then I learn that this version actually became more popular:
And while it's not bad, it's just... wow, that first version was so good! No need for a second-rate cover.
Nothing really too much against the cover, but it almost sounds like it's going back a decade in terms of music. And not really in the good sort of way like a throwback, more like in the bad sort of way, like dated.
All I'm saying is if you're going to make a cover, you should add something to the original to justify its existence. I think that this cover takes away from what made the original good. I don't hate it, but there's no reason to listen to this over the original.
Wednesday, July 1, 2015
Watch-for-it Wednesday: "Them Changes" - Thundercat
There's a certain rapper this year who I know is out there making music and releasing singles, but is strangely and sadly absent from the Hot 100.
Yeah, Kendrick just released his album To Pimp a Butterfly this year and yet I've been missing him from the charts. Which is a damn shame, because what I've heard from this album is amaaaazing. Like, some of the best of 2015. And art of what is making this album so great is producer Thundercat.
This is his song "Them Changes", and god damn, the beat on it is just masterful. It's dark, it's brooding, it's cool, it's calm. This I think is what DJ Mustard tries to do, but fails badly. This is how you do it.
I would normally be excited for a Kendrick album all on its own, but Thundercat's inclusion definitely makes the prize even sweeter. I hope that he gets his breakthrough single soon.
This is his song "Them Changes", and god damn, the beat on it is just masterful. It's dark, it's brooding, it's cool, it's calm. This I think is what DJ Mustard tries to do, but fails badly. This is how you do it.
I would normally be excited for a Kendrick album all on its own, but Thundercat's inclusion definitely makes the prize even sweeter. I hope that he gets his breakthrough single soon.
Tuesday, June 30, 2015
CanTunes Tuesday: "Bungalow" - Scott Helman
This is "Bungalow" by Scott Helman. I like it.
The song's got a lot of Shawn Mendes in it, but it also has a lot of influence that I do like. I definitely hear a bit of indie rock and folk rock in this, especially around the chorus, and I like what I.. okay, take a look at this for a second.
http://www.tubechop.com/watch/6316647
That is just the corniest thing. I don't care whether I like the song or not, that is just cheesy to the max. But anyway, I do like the song. Honestly, there's not much separating it form a Shawn Mendes song, but the stuff that is works for me big-time.
First off, the song has a pulse. Thank god for that. The verses and chorus don't meander; the song actually takes you on a journey, something music should definitely do. Secondly, it's got some interesting instrumentation. As I said, the song sounds very indie and folk rock-influenced, and you can definitely tell from the banjos in the chorus. Hellooo, Mumford & Sons.
But it's not just a ripoff of that sound. It meshes the pop idealistics of Shawn Mendes and the folksy instrumentation of Mumford & Sons to make it its own thing. And that's pretty damn awesome. Is it my favourite Canadian song of the year? No, not since we've had this and this. But it's certainly better than a lot of stuff I've been hearing this year up north. Hey, it even gives me a little bit of hope. Good job, Scott Helman. Don't fuck this up.
The song's got a lot of Shawn Mendes in it, but it also has a lot of influence that I do like. I definitely hear a bit of indie rock and folk rock in this, especially around the chorus, and I like what I.. okay, take a look at this for a second.
http://www.tubechop.com/watch/6316647
That is just the corniest thing. I don't care whether I like the song or not, that is just cheesy to the max. But anyway, I do like the song. Honestly, there's not much separating it form a Shawn Mendes song, but the stuff that is works for me big-time.
First off, the song has a pulse. Thank god for that. The verses and chorus don't meander; the song actually takes you on a journey, something music should definitely do. Secondly, it's got some interesting instrumentation. As I said, the song sounds very indie and folk rock-influenced, and you can definitely tell from the banjos in the chorus. Hellooo, Mumford & Sons.
But it's not just a ripoff of that sound. It meshes the pop idealistics of Shawn Mendes and the folksy instrumentation of Mumford & Sons to make it its own thing. And that's pretty damn awesome. Is it my favourite Canadian song of the year? No, not since we've had this and this. But it's certainly better than a lot of stuff I've been hearing this year up north. Hey, it even gives me a little bit of hope. Good job, Scott Helman. Don't fuck this up.
Sunday, June 28, 2015
"Fight Song" - Rachel Platten
Empowerment! Overcoming struggles! Fighting for yourself! It's all right here in "Fight Song" by Rachel Platten.
Yes! Notice how Rachel Platten just does not give a fuck about the world around her trying to bring her down! Listen to those inspired lyrics, where she strongly proclaims "This is my fight song! Take-back-my-life song!" ...huh.
http://www.tubechop.com/watch/6303294
Yeah, I'm sorry. I just hear a lyric like "Take-back-my-life song" and my mind immediately reverts to "Manic Monday". But that's my problem, not Rachel Platten's! So let's not let that take away from just how inspired and inspirational this song is!
...
zzzzzzzzzzzzzzzzzzzzzzzzzzz
Yeah, chalk this one up in the "not trying hard enough to be inspirational 'inspirational' song" category. I mean, seriously. Take out the drums and this could be a lullaby. And that's simply not what the song should have been going for!
I don't know what's up with these artists that think that they can sound however they want just so long as they have "inspirational" lyrics to go along with it, but it's a music trend that needs to stop dead in its tracks. Why? Because it makes for terrible, boring music. Honestly listen to this song and tell me if it makes you feel more inspired. If it does... great! But for me, it doesn't do a thing.
I give credit that "Fight Song" might be trying a little harder than its competitors - it's got the woman screaming "HA!" in the background or whatever, I guess that's some kind of rallying battle cry - but the fact is, the instrumentation is still too weaksauce to justify any kind of inspirational or empowering message. Let me tell you something: If your song can be played on an adult contemporary station without much fuss, then you need to try harder with your empowerment anthem.
Man... I guess there's a place for this stuff in the pop world - I suppose 50-year-old ladies need to feel empowered too - but it's not for me, and I'm not buying it. Hell, Twisted Sister sounded more empowering than this, and that lead singer looked like a Raggedy Ann Doll with a botched makeover. Sorry people. I have a feeling a lot will like this song, but don't count me among one of them. It's too weak and it's too forgettable. Perhaps Rachel Platten should fight for a better song to define her artistry.
Yes! Notice how Rachel Platten just does not give a fuck about the world around her trying to bring her down! Listen to those inspired lyrics, where she strongly proclaims "This is my fight song! Take-back-my-life song!" ...huh.
http://www.tubechop.com/watch/6303294
Yeah, I'm sorry. I just hear a lyric like "Take-back-my-life song" and my mind immediately reverts to "Manic Monday". But that's my problem, not Rachel Platten's! So let's not let that take away from just how inspired and inspirational this song is!
...
zzzzzzzzzzzzzzzzzzzzzzzzzzz
Yeah, chalk this one up in the "not trying hard enough to be inspirational 'inspirational' song" category. I mean, seriously. Take out the drums and this could be a lullaby. And that's simply not what the song should have been going for!
I don't know what's up with these artists that think that they can sound however they want just so long as they have "inspirational" lyrics to go along with it, but it's a music trend that needs to stop dead in its tracks. Why? Because it makes for terrible, boring music. Honestly listen to this song and tell me if it makes you feel more inspired. If it does... great! But for me, it doesn't do a thing.
I give credit that "Fight Song" might be trying a little harder than its competitors - it's got the woman screaming "HA!" in the background or whatever, I guess that's some kind of rallying battle cry - but the fact is, the instrumentation is still too weaksauce to justify any kind of inspirational or empowering message. Let me tell you something: If your song can be played on an adult contemporary station without much fuss, then you need to try harder with your empowerment anthem.
Man... I guess there's a place for this stuff in the pop world - I suppose 50-year-old ladies need to feel empowered too - but it's not for me, and I'm not buying it. Hell, Twisted Sister sounded more empowering than this, and that lead singer looked like a Raggedy Ann Doll with a botched makeover. Sorry people. I have a feeling a lot will like this song, but don't count me among one of them. It's too weak and it's too forgettable. Perhaps Rachel Platten should fight for a better song to define her artistry.
Friday, June 26, 2015
Flashback Friday: "All My Life" - K-Ci & JoJo (1998)
You gotta love that 90's R&B. Probably some of the most lovey-dovey stuff you would ever hear on the radio, but the difference between that and intolerable lovey-dovey stuff is that this is done with class. Enter K-Ci & JoJo.
These guys hit it really big with the third single off of their debut full album, "All My Life". It's pretty much what you'd expect from 90's R&B: smooth, satisfying, and sweet.
You've got both K-Ci and JoJo pouring their hearts out to their loved ones, and all you can really do is sit back and bask in the love they have. There's one little thing that I find interesting though:
And I hope that you feel the same way too
Wait...
Yes, I pray that you do love me too
Is this relationship mutually felt?
They do talk about how the girl picks him up when he's down and smiles or whatever, but it always does come back to those lines in the chorus. Interesting.
Oh, well. It's still a classic R&B jam with a sweet message and a great sound.
These guys hit it really big with the third single off of their debut full album, "All My Life". It's pretty much what you'd expect from 90's R&B: smooth, satisfying, and sweet.
You've got both K-Ci and JoJo pouring their hearts out to their loved ones, and all you can really do is sit back and bask in the love they have. There's one little thing that I find interesting though:
And I hope that you feel the same way too
Wait...
Yes, I pray that you do love me too
Is this relationship mutually felt?
They do talk about how the girl picks him up when he's down and smiles or whatever, but it always does come back to those lines in the chorus. Interesting.
Oh, well. It's still a classic R&B jam with a sweet message and a great sound.
Wednesday, June 24, 2015
Watch-for-it Wednesday: "Hot Boy" - Bankroll Fresh
Honestly, the way I see it, there are only two categories of rap music that matter right now, and that's Vine rap and non-Vine rap. Here's some non-Vine rap, as far as my knowledge goes.
It's okay.
Honestly, my rap music tolerance has dropped so low over the past while that I can't get too mad at generic bragging tunes. And as far as they go, this one's actually not too bad. Guy's got some decent flow and it's catchy enough. It's also got enough bass for the crowd that enjoys doing this:
Look, if you like doing this, don't invite me into your car, that's all I'm sayin'.
So on the whole, I guess I would actually welcome this guy into the pop world, because it's certainly better than the rap song I reviewed this week that actually did get popular enough for a Sunday review. (Honestly, that one might be one of the worst songs I've ever heard.) It's nothing too special, but it's got enough going for it that I'll give it a pass.
It's okay.
Honestly, my rap music tolerance has dropped so low over the past while that I can't get too mad at generic bragging tunes. And as far as they go, this one's actually not too bad. Guy's got some decent flow and it's catchy enough. It's also got enough bass for the crowd that enjoys doing this:
Look, if you like doing this, don't invite me into your car, that's all I'm sayin'.
So on the whole, I guess I would actually welcome this guy into the pop world, because it's certainly better than the rap song I reviewed this week that actually did get popular enough for a Sunday review. (Honestly, that one might be one of the worst songs I've ever heard.) It's nothing too special, but it's got enough going for it that I'll give it a pass.
Tuesday, June 23, 2015
CanTunes Tuesday: "Can't Feel My Face" - The Weeknd
Oh god... The Weeknd?! Again? All right, let's get this over with. I bet it's going to be another gross-sounding, whiny, underthought song that makes me once again wonder why we keep this guy around...
Wow. This... actually sounds good. Hell, it sounds great!
Finally, a Weeknd song that I can actually say I like. Actually, I love this song! Finally, the production has been given some energy and The Weeknd's voice actually works well with it! Why doesn't he do more stuff like this?
Well, you know what? I don't really have an answer to that question. Because music like this is definitely on his repertoire, as evidenced by his first album. But I guess the slower, more clumsy music he's well known for today has made him more popular.
So, a challenge: help to make this song as popular as something like "Earned It" or "The Hills". Help The Weeknd realize that he can release music like this and retain his fanbase. Help good music to come thorough to the public.
Wow. This... actually sounds good. Hell, it sounds great!
Finally, a Weeknd song that I can actually say I like. Actually, I love this song! Finally, the production has been given some energy and The Weeknd's voice actually works well with it! Why doesn't he do more stuff like this?
Well, you know what? I don't really have an answer to that question. Because music like this is definitely on his repertoire, as evidenced by his first album. But I guess the slower, more clumsy music he's well known for today has made him more popular.
So, a challenge: help to make this song as popular as something like "Earned It" or "The Hills". Help The Weeknd realize that he can release music like this and retain his fanbase. Help good music to come thorough to the public.
Sunday, June 21, 2015
"Watch Me" - Silento
Do you really need me for this review? I could just provide you with this:
and it would pretty much sum up my thoughts on this bullshit getting popular. Why? Why? Why? Why are we so reliant on Vine for our pop songs now? And if so, can we at least make them a little better than this?
All this idiot does is name-drop a bunch of dances that everyone has forgotten. THAT'S ALL HE DOES. YOU PEOPLE MADE THIS POPULAR.
No, you know what, I know when things are worth my time, and this guy clearly is not. I'm sorry, but when the charts are interested with providing me with an actual song, then maybe I'll be interested in sticking around for the review! But this?
Now watch me whip
Now watch me nae nae
Now watch me whip whip
Now watch me nae nae
What can I even say about it? There's nothing of substance here! Nothing works as a song, nothing keeps me wanting to come back, and nothing is making me want to stick around and dissect this song lyric by lyric.
Now break your legs
..."Break your legs"? Was that seriously a dance move?
and it would pretty much sum up my thoughts on this bullshit getting popular. Why? Why? Why? Why are we so reliant on Vine for our pop songs now? And if so, can we at least make them a little better than this?
All this idiot does is name-drop a bunch of dances that everyone has forgotten. THAT'S ALL HE DOES. YOU PEOPLE MADE THIS POPULAR.
No, you know what, I know when things are worth my time, and this guy clearly is not. I'm sorry, but when the charts are interested with providing me with an actual song, then maybe I'll be interested in sticking around for the review! But this?
Now watch me whip
Now watch me nae nae
Now watch me whip whip
Now watch me nae nae
What can I even say about it? There's nothing of substance here! Nothing works as a song, nothing keeps me wanting to come back, and nothing is making me want to stick around and dissect this song lyric by lyric.
Now break your legs
..."Break your legs"? Was that seriously a dance move?
That... that looks really stupid. Okay, moving on.
Now watch me
Bop, bop, bop, bop, bop...
How did this idiot become so popular?! I... I can't think of a single reason to listen to this song. It is dead on arrival; it stinks of... well, stanky leg, I guess.
Please God, stop with this trainwreck of nonsense. Put on something good!
I put in a good word with the man upstairs. If this doesn't make you want to go to church, what will? SHUT UP AND DANCE WITH ME... hey, hold on, this song is about dancing too. So... what makes this song work so well and the other work so poorly.
Well, let me answer you in layman's terms: "Shut Up and Dance" actually sounds like a song. It sounds like something you'd want to listen to. And despite my bashing of the idea, I honestly do think a song listing off a bunch of dance moves could work. But you have to put effort into it and show respect to the art form. Here, it's just name-dropping dance moves because you couldn't think of anything better to do. And that just blows chunks. So don't look back, just keep your eyes on me, and I'll take you away from the nonsense that is "Watch Me". Ugh.
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